Ground Control: Digital surveillance, global capitalism, and Gobelin tapestry. Written by Noelle Mason. 2024.

"Backscatter Blueprint" used for Jakub Charon film "Breather" which is currently in development. 2024.

Work used on the cover of Carrie Feller band Non-Existent Night available on 31G records. 2023.

Noelle Mason invited to Review Santa Fe. 2023.

Artist page, Helsinki Photo Festival, 2023.

Hyperallergic article about "Speaking With Light" an exhibition in which my video work "Redman," a collaboration with Erika Lord was reviewed. Written by Stacy J. Platt. 2023.

Artists Michael Borowski, Adam Chin, Rashed Haq, and Noelle Mason will cover topics relating to the benefits and challenges of technology’s role within our daily lives and creative conversations: AI, robotics, surveillance, data aggregation, equity, and aesthetics. 2023.

Candela Book + Gallery feature of my work written by Whitney Cole. 2023.

"Speaking with Light" Online Exhibition Guide which features the work "Redman," a collaboration between myself and artist Erica Lord. 2023.

Essay about "Backscatter Blueprint" in Issue 16 "The Blue Issue" of the print and on-line magazine Don't Take Pictures written by Lisa Volpe. 2021.

Fisheye is a bimonthly print magazine dedicated to contemporary photography. Published in Paris, FR. Editor in chief Éric Karsenty. 2021.

Part 1 of a talk I gave at UMBC Intermedia and Digital Arts Program. 2021.

Part 2 of a talk I gave at UMBC Intermedia and Digital Arts Program. 2021.

Review of Skyway Triennial by Tampa Bay Times staff writer, Maggie Duffy. 2021.

Curators statement in the Ringling Magazine written by Christopher Jones, Stanton B. and Nancy W. Kaplan Curator of Photography and Media Arts, and Ola Wlusek Keith D. and Linda L. Monda Curator of Modern and Contemporary Art. 2021.

Fotodoks is a documentary photography biennial in Munich, Germany. I was one of 13 invited artists to participate. 'A house is a house is a house' opened with an exhibition and a diverse accompanying program of the current perception of home and makes the social inequality visible which is increasing due to the colonial, patriarchal and capitalist power structures that exist around the world. The Festival is organized by Frank Bauer, Sima Dehgani, Dominik Gigler, Lisa Hörterer, Verena Kathrein, Tanja Kernweiss, Nadine Loes and Jakob Schmitt. 2021.

Essay about "Backscatter Blueprint" for the Hungarian news outlet Telex, by Szabolcs Barakonyi. 2021.

Artist talk giving in the gallery in conjunction with the exhibition "X-Ray Vision vs. Invisibility" @ Blue Sky Gallery. 2021.

Burnaway interview with Will Douglas about Parallelogram Gallery. Interviewed by Emily Llamazales. 2021.

Magazine published by a a non-profit photographic association based in Barcelona, ​​Mexico City and New York. 2021.

PhMuseum asked the 2020 winners to share their personal experiences and offer advice to applicants. 2021.

Review of "X-Ray Vision vs. Invisibility" at the Florida Museum of Photographic Arts written by Robin O’Dell. 2021.

Athens Photo Festival, Main Program, Benaki Museum, Athens, Greece. 2020.

Review of "The World to Come: Art in the Age of the Anthropocene" at the DePaul Art Museum by Ryan Filchak. 2020.

Zoomed In Festival brings together a diverse international selection of architectural photographers and cross-disciplinary creatives in a series of online talks and discussions, short film screenings, image galleries, and a charity print sale to raise funds for those most in need during the current pandemic crisis.

Link includes a discussion by Power Structures artists, and followed by a brief discussion, chaired by photographer and curator Luke O'Donovan. Featuring work from Francisco Ibáñez Hantke, Lorenzo Zandri, Marcos Zegers, Noelle Mason and Tom Hegen. 2020.

The multimedia project, titled "X-Ray Vision vs. Invisibility," was selected as the First Place Winner in this year’s LensCulture Art Photography Awards. In her submission, Mason included two chapters from this project, titled Backscatter Blueprint and Ground Control. We caught up with the artist to discuss how her interest in vision technologies began, and why she thinks it’s important to stray from traditional uses of photography to tell this important story to the world. Interview by Cat Lachowskyj. 2020.

Work exhibited at the Florida Museum of Photographic Art. 2021.

Essay about Contrafotografia #11. Brief mention of my work as part of the magazine issue. 2021.

Essay I wrote about X-Ray Vision vs. Invisibility for Yogurt Magazine, a curatorial platform looking for new directions in contemporary photography. 2020.

Article about two exhibitions at Parallelogram Gallery produced in collaboration with Matthew Wicks online platform Psychic Jacuzzi. 2020.

Blue Sky exhibitions manager Zemie Barr will talk with Noelle Mason — originally scheduled for a Blue Sky exhibition May 2020, and now rescheduled to February 2021. We will check in with Noelle in her studio. 2020

The Center Awards the Editor's Choice 1st place/Director's Choice 2nd place: Noelle Mason, By Aline Smithson. 2020.

Hear from the independent panel of expert judges, Anna-Kaisa Rastenberger (Professor at University of Arts Helsinki), Azu Nwagbogu (Director AAF and Lagos Photo), Roderick Van Der Lee (Fromer Photo London Director), and Tanya Habjoqua (Photographer at NOOR Agency), as they offer in-depth commentary on the reasons why her work, and that of the other grantees, was awarded this year. 2020.

Work published in Harpers Bazar, Italy. 2020.

Siena Awards is an independent project born from the dream of making Siena and its territory the international capital of photography; a great curator of exclusive events that aim to include and involve great international photographers, amateurs, emerging talents, enthusiasts, and all those who love culture. 2020.

The Photography 20/20 Compendium investigates the past 20 years of photography in interviews, panel discussions, critical essays, photographer presentations, and more. 2020.

Catalyst interviews are from photographic creatives that support knowledge and community and provide vision and inspiration in their pursuits. Contained here are the thoughts, ideas, and efforts of those who have excelled in their medium. They are starting points and roads to travel in search of your own process and goals. 2020.

Essay about "Backscatter Blueprint" published in the Quarterly Journal of the Royal Photographic Society, Issue #78, 2020.

The winners of PHmuseum 2020 Photography Grant published in VOGUE Italia. 2020.

Discussion with curator Anastasia Patsey as part of the Triennial Transpositions-3. With Noelle Mason (USA), Marie De La Ville Baugé (RU/FR), Claudia Bläsi (DE), and Stella Baraklianou (GR/UK). 2020.

Curated by Ashland Davis. 2020.

Interview by Anna Jacobson for Musee Magazine. Interview by Anna Jacobson. 2019.

Various artists: Now You See Me: Visualizing the Surveillance State. Curated by Ashley Lumb and assistant director Kate Matthews. Huw Davies Gallery, Photo Access, Manuka Arts Centre. By Brian Rope. 2019.

Now You See Me: Visualizing the Surveillance State presents the work of eight international artists, whose practice exposes the usually obscured mechanisms of state control through a mix of photographic, textual, sculptural and filmic approaches. Curated by Ashley Lumb. PhotoAccess, Canberra, Australia. 2019.

Noelle Mason's work used on album by San Diego‘s Secret Fun Club, the longstanding musical outlet for drummer and engineer Sal Gallegos (Some Girls, Three One G) and bassist John Rieder. Available on 31G Records. 2019.

Photolucida has partnered with GUP Magazine, the esteemed international magazine for art and documentary photography, resulting in this co-produced special print edition. As part of Critical Mass 2019, portfolios of six finalists were selected for inclusion: Bryan Thomas, Dominika Gesicka, Joshua Dudley Greer, Noelle Mason, Rachel Cox and Rory Doyle, resulting in a 60-page feature. 2019.

Remembering the 28th anniversary of the Vlora ship and the 25 years without Enrico Dalfino: morse broadcast and inauguration of the "On Board" exhibition at the Teatro Margherita Bari. 2019.

In the Margherita Theater in Bari the 'On Board' exhibition organized by the PhEST association. 2019.

Review in FSU news written by Chris Wilkinson. 2019.

Interview with Dann Ginn on the website Photoblogger. 2019.

Art Daily press release for The World to Come. 2019.

Interview for Portuguese magazine P3, written by Ana Marques Maia. 2019.

Photographer Noelle Mason is the Edge of Humanity Magazine contributor of this documentary photography. From the project ‘X-Ray Vision vs. Invisibility’. 2019.

Announcement of winners for Photo Review International Photography Competition, juried by critic, curator, and author Lyle Rexer. 2019.

Parallelogram project with Gregory Green mentioned in Creative Loafing. 2019.

Parallellogram featured in article about the Tampa garage gallery scene. Written by SK West. 2019.

The New Red Order—enlisting a rotating and expanding cast of Informants including Ashley Byler, Jim Fletcher, Tali Keren, Adam Khalil, Zack Khalil, Kite, Erica Lord, Noelle Mason, Del Montgomery, Laura Ortman, Tony Oursler, Jeremy Pheiffer, Jackson Polys, and Kate Valk—uses video and performance to create a site of acknowledgement, savage pronouncement, calling out, calling in, recruitment, and cumulative interrogation to shift potential obstructions to Indigenous growth. 2018.

Review of my work in “The Dangerous Professors” a curatorial project by Ruslana Lichtzier written by Molly Glentzer for the Houston Chronicle, 2018.

HKG/ORD mentioned in Style Weekly in reference to the exhibition Unbound 7 at Candela Gallery. 2018.

Work exhibited in Museo Amparo, Puebla, Mexico, as part of the exhibition Nacido en Casa, devenires y porvenires del oficio de la tapiceria, Curated by Jaime Ashida. 2018.

Noelle Mason wins the 2017 Southern Prize. 2017.

Review of Unbound 7 @ Candela Gallery in Style Weekly. By Amanda Dalla Villa Adams. 2018.

Collaborative work "Redman" mentioned in F News article. Written by By Samuel Schwindt. 2017.

Creative Loafing article about Skyway exhibition which features my work, written By James Chapin. 2017.

Review | Skyway: A Contemporary Collaboration at Museum of Fine Arts, St. Petersburg. By Danny Olda. 2017.

Tampa Bay Times article "Why the Museum of Fine Arts is showcasing two controversial, uncomfortable pieces of art" about my work in the Skyway triennial exhibition, written by Kristen Shepherd. 2017.

Interviewed for Chapter 6 - Principles of 4D Art and Design in the textbook Elements and Principles of 4D Art and Design published by Oxford American Press written by Ellen Mueller. 2016.

Article about the Orlando Museum of Art Florida Prize. 2016.

Article about the exhibition space "CunstHaus" I opened with a group of friends in the Seminole Heights are of Tampa. By Davis Z. Morris. 2016.

My work in Jason Lazarus' curatorial project PDF Objects. 2016.

Darkness Invisible/Slime Dune at Tempus Projects. David Z. Morris. 2015.

Announcement of "American Artist Noelle Mason, 2016 Recipient of Florida Prize Exhibition in Contemporary Art". 2016.

Review of Orlando Museum of Art Exhibition. "Noelle Mason’s art assaults the senses of an Orlando still reeling from the impact of the Pulse shootings" by Jessica Bryce Young and Richard Reep. 2016.

Review of BeLonging Caputo, Frorup, Mason @ Florida Gulf Coast University. 2015.

Noelle Mason “Incident Report” on Metroframe Blog. Written by Noelle Mason. 2016.

Creative Loafing article about Transliminal written by Megan Voeller. 2014.

OtherPeoplesPixels Interview. 2013.

Noelle Mason wins Joan Mitchell Foundation award. 2012.

Chicago Critical Review: Noelle Mason @ Thomas Robertello by Paul Germanos. 2011.

Review in New City, Chicago, by Jason Foumberg, 2010